O Drom [The Road]: Henna Among European Roma

A friend of mine asked me the other day if there were henna traditions in Europe... Of course! In this post I thought I'd feature one such group (and I welcome your suggestions for others!): henna traditions among the Romani communities of the Balkans and southern/eastern Europe.

I am increasingly concerned about the growing worldwide discrimination against Roma, in Europe in particular (here are some links). Having marked International Holocaust Memorial Day just a few weeks ago, I am reminded of the ways in which Roma, like Jews, have persevered throughout history against racism, xenophobia, stereotypes, and of course, the incomprehensible terror of the Holocaust, sometimes referred to as the Porrajmos (to learn more, I recommend the powerful movie A People Uncounted).

Identity card of Maria Miezi Bihari, a Romani girl from Germany, 
photographed by Nazi officials of the Racial Hygiene Unit, ca. 1940.

In that light, I thought I'd share some of the sources I've collected describing henna use among various Roma communities (and readers are welcome to add more!). I think that it's super important not only to shed some light on a beautiful and often-stereotyped community, but also for people who use and work with henna to remember that henna is very much a part of the story of Europe (like I wrote about in this post), not just India or Morocco. Showcasing the diversity of global henna history is one of the main objectives of this blog, and I feel that there is a special kinship between Jewish and Romani tradition in particular. In many places, in fact, henna was used by both Jews and Roma, but not by the other majority groups of the population.

A Serbian Roma family arriving in Ellis Island, ca. 1905.
Photo by Augustus Sherman, NYPL.

A note about terminology: I'm using the term "Roma" (sometimes also spelt Rroma) to refer to the diverse ethnic group of historically semi-nomadic people found throughout Europe, who were speakers of various dialects of the Romani language. Various subgroups include Sinti in Central Europe, Manouche in France, Kalderash in Russia, and many others. There are also other groups of semi-nomadic people related to the Roma, including the Domari people in the Middle East (with whom I worked when I was living in Jerusalem; see below).

The term "Gypsy," which may be familiar to my readers, has been largely rejected by the community as a derogatory slur, and while some Roma may reclaim the term as an identity label for themselves, it is inappropriate for non-Roma to use the term. Accepted convention is to refer to the overall ethnicity as "Roma," with the adjective "Romani" to refer to the language, culture, etc.

The origins of the Roma, as many know, are subject to vociferous debate, but it seems likely that they originated in India, migrating westward through Persia in the early Middle Ages. By the 1600s they had spread throughout Europe, although they frequently faced persecution and expulsion.

Could they have brought henna with them from India? It's possible, but unlikely, since (as I explore in this post and this one) henna did not become commonly used in India until the very late Middle Ages, centuries after we believe the Roma left. Could they have picked up henna in Persia? It's certainly possible, although we lack any historical documentation. It's more likely, in my opinion, that the use of henna was a practice that developed in the Ottoman Empire; my reasons will become clear below.

Ya Mashta: A Moroccan Jewish Henna Song

I helped facilitate a wonderful henna ceremony last week for a mixed Yemenite-Moroccan Jewish couple. One of the things we included was the singing and reading of several chants for the henna ceremony from various Moroccan and Yemenite Jewish communities. The bride’s mother was particularly moved by one of them and I thought I would share it on the blog.

I call the song “Ya Mashta,” after its opening words — although, as we shall see, there are several versions — which means, “O Dresser.” 

A Muslim woman having her hair braided, Ida Ou Blal
(southern Morocco), circa 1934. Photo by Jean Besancenot.

The mashta or masta (derived from the formal Arabic mashiṭa, ‘hairdresser’) was the woman who was responsible for the bride’s adornments, including her hair, her cosmetics, her jewelry, and of course, her henna. The mashta was already established as a respected female profession in the Middle Ages, for both Jews and Muslims (see, e.g., Shatzmiller 1994, pp. 171 and 354, and the fatwas of al-Wansharisi discussed here).

I have been able to locate several published texts of this song; Joseph Chétrit claims that “it is likely the oldest and most widely-spread Judeo-Arabic wedding song among the Jews of Morocco” (pg. 260). It appears for the first time in a manuscript written by Shlomo Tuv-Elem, a rabbi from Tétouan in northern Morocco, circa 1827. 

It was also published by Ruben Tadjouri in the version of Rabat-Salé in 1923, and of Fes in 1946 by Elie Malka (unfortunately only in translation). Two versions of it as recalled by elderly informants appear in Chétrit’s collection, both from southern Morocco: one from Taroudant, and one from Ighil-n-Ogho (Chétrit 2003; Dar'i 2003).

The longest version being Tuv-Elem’s, I have numbered its stanzas 1-15, using letters A-H to indicate additional or variant stanzas in the other versions. I don’t want to assume that the oldest version is the ‘truest’ (a problematic methodology, which ignores how traditions evolve within communities) and I actually prefer some of the verses of the later versions, but Tuv-Elem’s is the longest and it made the most sense to number it that way. All versions begin with the same opening (with some dialectical variation, i.e. the pronounciation of mashta as masta or even maṣta):

Stanza 1:

Ya mashta, mashti dlalha / l‘arosa rayḥa ldarha

O dresser, dress her hair / the bride is going to her house.

How do You Say Henna in Yiddish? A Russian Jew Discovers Henna and Other Encounters

I am super excited to be offering henna at the Toronto-based Ashkenaz Festival, a celebration of contemporary global Jewish arts and culture, and spreading awareness of the long and rich history of henna in Jewish communities around the world.

Ashkenaz began as a festival of Yiddish music; Ashkenaz literally means ‘Germany’ in Hebrew and refers to the Jewish communities of Eastern Europe, known as Ashkenazim. While my own family is of Ashkenazi background, my work with henna has led me to the Jews of North Africa, Yemen, Central Asia, and elsewhere — that is, the non-Ashkenazi world.

When people think of "Ashkenaz", the first images that usually come to mind are Yiddish (the Judeo-German language historically spoken by Ashkenazi Jews), klezmer music, the shtetl, the Lower East Side, Fiddler on the Roof... But usually not henna.

Thus, some of my friends thought it was surprising that I would be offering henna at a festival called “Ashkenaz,” and one even asked somewhat sarcastically, “Well, how do you even say henna in Yiddish?” 

The truth is that I myself never imagined that I would come across Yiddish in my henna research… Wrong, as usual! In honour of the upcoming festival I thought I’d bring up a few fun points of encounter between henna and Yiddish. If you've always wondered how to say 'henna' in Yiddish, wait no longer! And feel free to stop by this weekend if you're in Toronto.

By Any Other Name: Words for Henna Across the World

There was a recent post on one of the henna forums online about the etymology of the word ‘henna’ and it occurred to me that exploring the different names for henna and their etymologies might make an interesting subject for a blogpost! I’ve tried to group them by age and area, and of course I’ve stuck mostly to languages that I’m (at least somewhat) familiar with. If you know more names for henna, or more about what I’ve written here, please add them in the comments!!

Ancient Languages: Egypt

Let’s start with the oldest word for henna that we know… It’s actually difficult to say what that might be. In general, identifying plant and animal names in ancient languages is one of the most hotly contested fields of linguistics — it’s hard enough to know exactly what plant or animal a word refers to in any language, and it’s especially difficult when there are no speakers to ask, “Can you point to the plant you mean when you say X?”

The oldest records of henna use come from Egypt, but the textual evidence is very unclear. The most promising candidate for a plant name that might refer to henna is ‘nḥ-imi, or ankh-imy, which might be translated as the ‘Life-is-in-it’-plant (Germer 2008, pg. 42). In hieroglyphs it’s written like this:

You might be able to recognize the word/symbol ankh, for ‘life’. This plant was used during the embalming process, and it was described as protecting the bed of the Pharaoh (Charpentier 1981, pp. 158-159, Germer 2008, pp. 42-43); its scent was thought to bring the dead back to life (Germer 1992, pg. 124). 

Now it is very tempting to connect this to archaeological records of hennaed mummified bodies and starting imagining some postmortem henna ritual in ancient Egypt… BUT we must be very cautious. There is no indication in any Egyptian text that the ‘nḥ-imi plant had any dyeing properties, and other scholars argue that the ‘nḥ-imi plant is not henna, but a type of lotus (Aufrère 1987, pp. 34-35). So the bottom line is we can’t be sure.

Wipe Off the Dirt from Thy Face, Thou Hussey: Blessings, Curses, and other Colourful Henna Expressions

In researching henna, I began coming across proverbs and folk sayings that have to do with henna. I’ve been collecting them for a while (Google Books is your friend!), but when I found the one quoted in the title (we’ll get to it below) I knew I had to share. Hope you enjoy! Feel free to use these with your henna clients — and you know of any others, please add them in the comments!

The first group of expressions are expressions that are said during the actual application of henna, or blessings said for applying henna. In many Jewish communities, the application of henna was accompanied by lengthy songs and poems, in both Hebrew and local languages (like Judeo-Arabic, Ladino, Judeo-Persian, and others). I certainly don’t have space to cover those here — maybe in another blogpost. But I’ll offer some short expressions:

They all look pretty happy to me!
Jewish wedding, Aleppo, 1914.

Among Syrian Jews in Aleppo, for example, on the night of the henna it was customary to say (Piamenta, 1983, pg. 111): ḥinnet-il-hana, ‘may it be a henna of happiness,’ to which the response was, Allah yhanniki witḥanni idena w’ideki, ‘May G!d make you happy, and may you henna our hands and yours!’ 

Jews in Urfa [Sanliurfa, Turkey] would bless the bride with short rhyming poems; for example: ha madi iddik alyamin ha ya ward waya yasmin, huwa yaghalbik bissa‘ada wanti taghalbi bilbanin, ‘Stretch out your right hand, O rose, O jasmine, he will give you happiness and you will give him sons.’ 

Another example: ya marat ibni ‘abit rasik hinna, walama khattabtik malakt janna, winshalla tartaf‘i, wada’iman tatahani, ‘O wife of my son, I filled your head with henna, and when I betrothed you I became ruler of paradise; may you rise up and be always joyful’ (Oster, 1972, pg. 17). There were similar poems for the groom, the parents of the couple, and the entire gathering (Oster, 1972, pg. 18).

Henna History: Now in Hebrew!

An Israeli friend made a special request if I could translate my post on Yemenite Jewish henna into Hebrew... Here it is! Feel free to share with any Israeli or Hebrew-speaking friends.

שלום עליכם! המאמר הבא הוא תרגום המאמר האחרון שכתבתי בבלוג שלי, שאני מנהל בדרך כלל באנגלית. אני חוקר באוניברסיטת טורונטו, מתמקד בטקס החינה ומסורותיה בקהילות ישראל, בצפון אפריקה, המזרח התיכון, ומרכז אסיה. אתם מוזמנים לקרוא יותר על המחקר שלי בבלוג הזה, או באתר הרשמי, ואשמח לשמוע מכם באי–מייל או בתגוביות. ואנא תסלחו לי על העברית, שהיא לא שפת אמי, ואני בטוח שעשיתי טעויות רבות.

הנושא היום: מסורות החינה של יהודי צנעא, תימן.

"Take Some Henna, and Call Me In the Morning": henna in a medieval Jewish medical thesaurus fragment

I’m gearing up for the Henna Con conference in California next week — I am, as always, so excited and honoured to be included as a presenter. I’ll be teaching four different classes: one on the ancient history of henna, one on henna in Judaism, one on henna and gender variance (including these dancers!), and one on henna in al-Andalus and the medieval Mediterranean.

In preparing for that last class, I came across this interesting image and I thought I’d share it! I’ll be using it in my presentation for sure. Unfortunately, we don’t know very much about it, but I’ll try to provide as much context as I can here.

This document comes from the Cairo Geniza, a massive collection of Jewish documents of all kinds (letters, receipts, biblical texts, philosophy, poetry, community records) from the 9th-19th centuries, that was found in the Ben Ezra Synagogue in Fustat (Old Cairo), Egypt. It was ‘discovered’ in the 1890s — people always knew it was there, but in the 1890s and 1900s Jewish scholars (first the Giblew sisters, and then Solomon Schechter) acquired the documents, took them from Cairo to their various universities, and began analyzing and publishing them. The Cairo Geniza is probably the most important Jewish discovery of modern times (alongside perhaps the Dead Sea Scrolls) and certainly in the field of medieval studies. All in all approximately 300,000 documents (many of them in fragments) have been identified; there are still thousands of documents that have not been catalogued or translated (see Hoffman and Cole 2011 for a popular introduction).

Solomon Schechter cataloguing Geniza fragments at Cambridge, 1895